Rasputin: A Short Life by Frances Welch

Raspution - A Short Life by Frances Welch
Grigory Rasputin comes back to life.

Bloody hell, a post about Grigory Rasputin? Are we Communists? Whatever, fools, we’re here to report about the book we’re currently reading – Rasputin: A Short Life.

There’s a lot of mythology surrounding the bearded one, and this concise book, by Frances Welch, helps to really shave off the fluff and get to the heart of the man.


What we find is someone who’s genuinely bonkers. We mean properly mad. The Siberian peasant turned himself into a legendary mystic with his habit of making wild boasts, which people dimwittedly seemed to go along with.

He generally forced himself into situations, and he had the ability to alleviate the symptoms of haemophilia (relentless bleeding) in the Tsar’s son Alexis. Due to this he rose to immense power in Russia and had a major part in the downfall of the tsarist regime.

All that’s well known, what isn’t well known are the details of his personality. This is what Welch displays in revealing detail: his illiteracy, the bizarre delusions, his habit of bursting into spontaneous dance at inappropriate moments, the womanising, and his love for telephone conversations.

Indeed, he and his daughter Maria would prank call people in the local phone book, scaring the bejeezus out of them.

As a result, what we have here is a revealing insight into one heck of a strange dude. How on Earth did he rise to such a position of power? It seems incomprehensible to us now, but this great little book spills the beans.

Rasputin and his beard (which he wouldn’t clean, incidentally, instead choosing to let it fester with food and stink up the place) are revealed in concise form, so if this sort of stuff interests you then get it read.

Film Depictions

There are various films depicting the man, the myth, and the legend. Alan Rickman stars in arguably the most famous of the lot – the 1996 production cemented the actor’s status as a Hollywood star, having unexpectedly emerged from obscurity in the theatre of 1988’s Die Hard.

But there are plenty of others, too, such is the interest in Rasputin’s history. He really is an enigma, still now commanding a general sense of awe and disturbed respect. And each film does its best to represent his influence as best it can.

Dispense with some gibberish!

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