Keith Moon: Drumming Genius and Additional Madman Capabilities

Keith Moon

Legendary wild man of rock, Keith Moon, departed the planet for good on this day 40 years ago. The Who’s drummer stunned the world with his natural genius, but also created notoriety due to his crazy drink and drug-fuelled behaviour.

Despite his early departure aged only 32, his legacy is strong—he’s regularly voted as one of the greatest rock drummers in history.

His drumming style remains bizarre, unique, and pretty much unmatchable. The Who hasn’t landed a drummer to match its musical requirements since Moon quit, via death, in 1978.

What on Earth made this bucket haircut sporting, skinny, short Londoner one of the planet’s best drummers, then? Let’s have a look back and remember.

The Genius of Keith Moon the Drummer

Born on 23rd August 1946, Moon grew up in Wembley of London. Hyperactive and troublesome, he exasperated his teachers to the extent he was described in a school report to his parents as:

“Retarded artistically. Idiotic in other respects.”

His music teacher, however, wrote (and it’s great to see Moon paid attention to this one):

“Has great ability, but must guard against tendency to show off.”

He left school aged 14 and enrolled into college, after which he became a radio repairer.

But his interest in music remained—his mother bought him a cheap drum kit and by 1961 he had the basics down. He even had a few lessons from local club legend Carlo Little.

During this time Moon joined the Beachcombers (a surf music band, a form of music he adored), before hitching up with emerging London R&B act the Detours.

This ragtag lot changed its name to The High Numbers soon after to match up with the burgeoning Mod movement.

A further name change awaited, with The Who emerging as singer Roger Daltrey, bassist/singer John Entwistle, guitarist/singer Pete Townshend, and Moon. This lineup was defined in 1964.

Over the next highly chaotic five years, and despite relentless in-fighting and near bankruptcy, Townshend was able to steer the group towards success with the rock opera Tommy.

This made the young Moon extremely wealthy, which triggered off a phase of remarkable self-destructiveness – he quickly earned the nickname Moon the Loon.

Blowing up toilets, blowing up his drum kit, destroying hotel rooms, and drinking colossal amounts of alcohol were his specialties.

Although Townshend remained unimpressed with their drummer during this period (becoming frustrated by Moon’s primary focus on wild abandon), analysing his drumming style reveals a ferocious assault merged with a genuine poise (almost elegance).

It was as much an expression of his personality as a drumming style.

Aware of pomp and grandiosity, as well as ridiculousness and showmanship, Moon played from the heart—this was matched by lightning fast reactions, a genuine feel for music, and a feel for the dramatic.

Whilst his behaviour was explosive and erratic, his drumming remained one of the central elements of The Who’s act—there was simply no one else who played like him on Earth.

His natural intellect and ready wit also made him a PR dream for the band, even after mishaps such as a 1973 gig in America at the Cow Palace.

Moon took several animal tranquillisers before the show and passed out midway through it. Even after several attempts to revive him (one successful), he was unable to complete the show.

The Who brought on 19 year old Scott Halpin randomly from the audience. He did a few numbers for the band.

Whilst all very amusing and the stuff of rock and roll legend, Moon almost died that night. Townshend also recalled the drummer was left in a wheelchair briefly whilst recovering.

Over the following years, Moon’s health plunged off a cliff.

Despite a move to America (he lived next door to Steve McQueen, whom he infuriated by regularly dressing up as Hitler and parading about outside his home), The Who’s inactivity during the mid-1970s led him, bored, to try a disastrous solo album.

All the while he drank, overate, tried various destructive drugs, and burnt himself out.

Keith Moon and Drum Solos

Seemingly in opposition to his contemporary John Bonham (of Led Zeppelin), Moon really had a thing against drum solos.

He thought they were “boring” and never did any.

Except… for the one above. As far as we’re aware, that’s the only recorded footage of a Keith Moon drum solo.

John Entwistle later commented about the drum solos he did in the recording studio and how amazing they were. But, sadly, Moon’s refusal to do them is a… bizarre anomaly. But kind of in keeping with the eccentric man.

However, there are those who’d argue Moon’s entire approach to drumming was one extended drum solo.

So, swings and roundabouts!

There’s not exactly a staggering deficit on Moon’s drumming abilities, it would have just been nice to have more than the one five minute solo available for posterity.

Keith Moon’s Final Years

Moon played with The Who for the last time on May 25th, 1978, alarming his band members by snorting an enormous line of cocaine before their final set piece.

He’d gained an enormous amount of weight. And despite only being 32 he looked 50 (in comparison, the 1976 clip above to 1978 below).

He also seemed to be considering giving up drumming for good, based on anecdotes in Tony Fletcher’s extensive biography Dear Boy.

He likely had ADHD, amongst various other psychological conditions—potentially even schizophrenia. None of which were aided by his thunderous alcohol and drug consumption.

So it’s sad he lived in an era where little could be done to help him psychologically, although many of his friends suggested he simply wasn’t intended for old bones.

As a drummer, however, his performances with The Who are the stuff of legend. Quite how he could hold the whole band together, essentially treating the drums as a lead instrument, and be as relentless as he was we don’t know.

Although the jazz drumming community (a notoriously snotty arena) still snorts at his abilities, for us he’s one of the greatest drummers of all bloody time.


  1. Love the music of The Who! When I did the costumes for the movie Hendrix, we recreated The Who at Monteray (&Hendrix) As you know, they preceded Hendrix & smashed up their instruments. No one wanted to follow The Who. That’s when Hendrix came up with the sacrificial guitar burning. I still have the Roger Daltry remake poncho with fringe & I intend to wear it this fall. It’s gorgeous.
    Anyway, this is a wonderful post, and I hope Keith is looking upon it with a big smile!
    Really, really fab piece!!!!!

    Liked by 2 people

    • Well, I had no idea you did the Hendrix costumes! But at Monterey Hendrix and Townshend had a big debate about who would go on first. They seemed to cross paths up until Woodstock/Isle of Wight.

      Way before my era, unfortunately, but I much prefer the music. I believe The Doors performed at Isle of Wight 1970, so that completes my dream gig.

      Liked by 1 person

  2. Keith Moon: drummer of The Who, inventor of the rock-star image, and responsible for the deaths of countless toilets via cherry bomb explosions. Even all these years later, his antics are the stuff of legends. My favorite story involving him is that one time in which he blew up his drum set on the Smothers Brothers variety hour. I like that the description says he loaded up the drums with ten times the normal amount of explosives. Apparently, there’s a normal amount you can put in your drum set – one molecule more and you are officially a madman.

    Liked by 1 person

    • Yeah, the Smothers Brothers one is just ridiculous. But I love how even a misjudged moment can be this funny 50 years later. He was supposed to be in Monty Python’s Life of Brian, but died before filming started. So that will forever be a shame.

      Liked by 1 person

        • Yep! Eric Idle confirmed it (listen to the Life of Brian DVD commentary). Spike Milligan fitted in and Graham Chapman was trying to kick the habit as well. So Moon jut missed out – Terry Gilliam played one of Moon’s intended characters as a mad preacher.

          Liked by 1 person

  3. The Who were amazing! I think Moon shaped the whole image of the rock drummer, generally and in detail – viz the way he was lampooned via the Muppets’ ‘Animal’, the fact that Spinal Tap’s drummers kept self-combusting, and ‘The Flight of the Conchords’ episode where they managed to drive a car into a swimming pool and a drop a TV set out a window by accident.

    Liked by 1 person

    • The Who were a big driving force for me from 2000 onwards, as a young one. Long past their prime, but that’s the impact of the music.

      The Keith Moon into a swimming pool debate rages to this day. I think it sums him up well, though, in an era of… well, rock music is bland, isn’t it? From my perspective, there’s nothing interesting. Only Reni from the Stone Roses has surpassed Moon in that time.

      Liked by 1 person

Dispense with some gibberish!

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.