May 7, 2020April 20, 2022 Mr. Wapojif

Serenade For Winds: Mozart & Keeping Calm

March 27, 2020August 16, 2023 Mr. Wapojif

Ori and the Will of the Wisps’ Soundtrack—That is All

November 30, 2019April 20, 2022 Mr. Wapojif

Pixelophonia: Tribute to the Amazing Symphonic Orchestra

June 27, 2018August 5, 2018 Mr. Wapojif

The Piano: 25th Anniversary Review & Film Festival News

June 11, 2018April 20, 2022 Mr. Wapojif

As Slow As Possible: Organ²/ASLSP—the longest musical performance ever

September 20, 2017April 20, 2022 Mr. Wapojif

Mr. Bean’s Opening Music: Ecce Homo Intro is Bean-Based

October 5, 2016April 20, 2022 Mr. Wapojif

Moonshake Books: Forcing You to Like Classical Music Since 10/16

September 16, 2016December 30, 2025 Mr. Wapojif

Pachelbel’s Canon in D: A ChromaDepth 3D Detailing

June 16, 2016April 20, 2022 Mr. Wapojif

Murray Perahia: Classical Music Extraordinaire Live in Manchester

May 25, 2016April 20, 2022 Mr. Wapojif

Murray Perahia: Piano God With Nimble Fingers Plays Beethoven

April 11, 2016April 20, 2022 Mr. Wapojif

Amadeus: It’s Mozart VS Salieri in a Cinema Masterpiece

April 10, 2016September 22, 2024 Mr. Wapojif

Mozart and Scatological Humour: Diagnosing a Genius 🎻🎹🎶

April 9, 2016January 9, 2019 Mr. Wapojif

Mozart’s A Life in Letters

November 28, 2015May 20, 2018 Mr. Wapojif

The Ninth: Beethoven and the World in 1824 by Harvey Sachs

November 22, 2015May 2, 2022 Mr. Wapojif

Vivaldi’s RV 580: Violins and Postulations on History

May 10, 2015 Mr. Wapojif

Thoughts On Pachelbel’s Cannon, Indeed

January 9, 2014January 10, 2019 Mr. Wapojif

What If History’s Greatest Composers HADN’T Been Composers?

April 14, 2013April 20, 2022 Mr. Wapojif

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