Wassily Kandinsky (1866-1944) is our artist of the moment.
We recently came across the above piece from 1923 and love how clean and clinical it is, but with enough flourishes to keep you looking for more.
Kandinsky was a Russian artist and theorist. He studied at Moscow University in economics and law. After developing his career, he moved to Munich, before eventually settling in France in 1939. He became a citizen there until his death.
As with many creative geniuses, there was something special about him. We’ll reveal what shortly. But first, here’s another of his works.
For most of us looking at his art, we see the colours, shapes, and get a general sense for themes. What is it, the planets? Atoms? Abstract disorder?
Well, he was certainly big on abstract. He wanted his work to be a philosphical expression of his being. Music played an enormous part in his creative process.
Kandinsky had a perceptual condition called synesthesia. It’s where one sense works simultaneously with another—sometimes more than one.
For the artist, when he saw colour he heard sounds. If he heard sounds, he’d see colours. A bright yellow brought about trumpeting trumpets—there is a certain freeform jazzy feel to the above pieces, eh?
His various concepts are an interpretation of those distorted sights and sounds.
For example, his 1911 work Impression III (Konzert) is notable for its use of yellow—it was his visual representation of a concert he’d attended by his friend. The composer Arnold Schoenberg.
And here’s the man going for it with an impromtu piece. Fabulous, huh?
The fantastic news for us modern folks is he was prolific, painting 159 oil paintings and 300 water colour pieces between 1926 and 1933 alone.
And so researching his work and art theory, we’ll be delving deeper into his world to find out more of his perspectives on art, life, and the power of straight lines.
His first theory was published in 1910: Concerning the Spiritual in Art.
In it he dwells on how colours affect the painter’s palette through the effect on the eye and its psychological impact.
Kandinsky felt artistic experiences are about feeling. Different colours affect our mood.
He studied further into psychology forms and later published Point and Line to Plane in 1926—he was interested in the forces on straight lines and curvature.
Now, we work in marketing and there’s a great deal of focus on this in, for example, web design.
Kandinsky’s notions on colour and psychology pay a heavy part in every single advert we see around us.
A yellow could disturb or attract, given the right setting. Red is angry! Blue is a relaxant, which is why it’s often used across financial services sites.
The difference here is 99.9% of marketing is obnoxious corporate nonsense. Kandinsky was a creative genius—let us enjoy his work forever more!